Sunday, October 4, 2026

The Number That’s Supposed to Tell You How Smart You Are

The Number That’s Supposed to Tell You How Smart You Are

By JM Talboo DebunkerBusters.blogspot.com

There is a number that can follow a person for years.

It can appear on a psychological report, a school record, a conversation between parents, a social-media post, or a website where somebody takes a test for fun.

IQ.

We're told that the number represents intelligence.

But what exactly does that mean?

What does a score of 75 represent?

What does 100 represent?

What does 130 represent?

And perhaps the more important question:

What doesn't it represent?

I'm not writing this article because I think IQ tests are a scam. I'm not writing it because I took an IQ test once and didn't like my score. And I'm not writing it because I think everyone secretly has a genius-level IQ.

I'm genuinely interested in the question.

Because the more I look into IQ testing, the more complicated the word intelligence becomes.

And that's where this gets interesting.


Let's Give IQ Tests Their Due

Before criticizing IQ tests, we should acknowledge something important:

They aren't measuring nothing.

Modern intelligence testing has a substantial research history behind it. Cognitive ability tests can measure things such as reasoning, working memory, processing speed, verbal abilities, and visual or spatial problem solving. Different tests emphasize different abilities.

And a general factor often called g emerges from correlations among many cognitive tasks.

That isn't imaginary.

IQ and related measures also have real predictive relationships with things such as educational performance, training outcomes, and aspects of occupational performance.

So the easy argument—

“IQ tests are meaningless.”

—isn't good enough.

If a measurement consistently captures something and that something predicts certain outcomes, there is probably something real being measured.

The question is whether we have gradually taken that legitimate observation and attached a much bigger meaning to it.

Because measuring something real isn't the same thing as measuring everything important.


Even Binet Warned Us

This is where the history of IQ testing gets fascinating.

Alfred Binet, one of the pioneers of intelligence testing, wasn't simply trying to create a number that would permanently classify human beings.

His original work was connected to identifying children who needed additional educational assistance.

And Binet himself warned against treating his scale as though it were a literal, exhaustive measurement of intelligence.

He wrote:

“This scale properly speaking does not permit the measure of the intelligence, because intellectual qualities are not superposable…”

That's a remarkable statement coming from one of the people responsible for creating the foundation of modern intelligence testing.

Binet also described intelligence as an extraordinarily broad concept involving things such as judgment, practical sense, initiative, and adaptation.

He didn't believe a child's test result should become a permanent sentence about what that child could become.

In other words, one of the pioneers of intelligence testing understood something we sometimes forget:

A test is a test.

It isn't automatically the thing itself.


Neil deGrasse Tyson's Question

Neil deGrasse Tyson has made a similar criticism in modern times.

His argument isn't necessarily that cognitive tests measure nothing. His criticism is much more interesting than that.

The basic point is that humans developed tests involving particular kinds of cognitive tasks and then attached the enormous word “intelligence” to the resulting measurement.

Once we call something an intelligence test, people naturally begin treating the score as though it tells them how intelligent a person is.

But perhaps the more scientifically precise question would be:

What abilities does this particular test measure, under these particular conditions?

That's a much less glamorous question.

But it might be a much better one.


The Math Problem

One of the interesting arguments surrounding IQ tests concerns mathematics.

Some people argue that mathematical reasoning belongs in an intelligence test because mathematics requires sophisticated reasoning.

Others argue that extensive mathematical education and experience can give somebody an advantage that has little to do with their underlying general cognitive ability.

Both arguments contain something worth considering.

And this gets personal for me—not because my own IQ score proves anything, but because my own educational history makes me think about the problem differently.

I've never particularly loved mathematics. I had a complicated educational history, including substantial time away from a conventional classroom. I also discovered that I could be very motivated to learn things I actually cared about while having a completely different attitude toward subjects that didn't interest me.

So if two people walk into the same test with completely different educational histories, interests, practice, motivation, and experiences, what exactly are we comparing?

General cognitive ability?

Knowledge?

Training?

Test-taking strategy?

Motivation?

Or some combination of all of them?

Probably some combination.

That doesn't make the test useless.

But it makes the number harder to interpret than the number itself suggests.


And There Are IQ Tests That Aren't Just Math Problems

It's also important not to build a straw man.

Modern intelligence testing isn't simply a collection of arithmetic questions.

There are nonverbal assessments, including tests based heavily on visual and abstract reasoning. Raven's matrices, for example, ask people to identify patterns and relationships in visual information.

That's important because it demonstrates that intelligence testing has evolved considerably.

The criticism can't simply be:

“IQ is just how good you are at school math.”

It isn't.

The better question is:

How broad is the collection of abilities being sampled, and how justified are we in calling the resulting construct “intelligence”?

That's a much harder question.


The Number Can Be Real Without Being the Whole Person

Consider other numbers.

A bank account contains a number.

That number tells you how much money is in the account.

Website traffic contains a number.

That number tells you how many visits occurred.

A person's height is a number.

Their weight is a number.

Their age is a number.

Their marathon time is a number.

Their IQ is a number.

Numbers are incredibly useful because they simplify reality.

But simplification can become dangerous when we forget what was simplified away.

A bank balance doesn't tell you whether somebody is happy.

Website traffic doesn't tell you whether somebody's work is meaningful.

A marathon time doesn't tell you whether somebody is a good parent.

And an IQ score doesn't tell you everything about what a person can do.

Every statistic needs a question attached to it.

What question is the statistic answering?


What Is “Success”?

This becomes especially important when somebody says that IQ predicts “success in life.”

What is success?

Money?

Fame?

Career advancement?

Academic achievement?

Longevity?

Happiness?

Relationships?

Freedom?

Purpose?

Helping other people?

Spiritual development?

A person can be extraordinarily successful according to one definition and unsuccessful according to another.

Even longevity is a statistic.

I've joked before that when looking at somebody with enormous amounts of money, one thought that sometimes crosses my mind is:

You're not going to have that money forever.

Maybe I will live longer.

Then I've technically “won” the longevity metric.

But what did I actually win?

That's the problem.

Numbers are only meaningful relative to what we're trying to measure.


What About Spiritual Enlightenment?

Here's another example that makes the problem even stranger.

How would you measure spiritual enlightenment?

Years spent meditating?

Hours of meditation?

Self-reported happiness?

Compassion?

Ability to remain calm under suffering?

Reduction in ego?

Brain activity?

Changes in neural structure?

Researchers can measure some of those things.

Brain-imaging research involving experienced meditators has found differences associated with meditation practice and altered states of consciousness.

But even if we can find a reproducible neurological signature associated with a particular experience, that doesn't automatically prove somebody's interpretation of that experience.

At the same time, calling an experience “subjective” doesn't mean that nothing objective is happening.

If a person consistently reports a particular mental state and that state is accompanied by measurable physiological or neurological changes, then something is happening in the organism.

The remaining question is:

What exactly is happening, and what does it mean?

That's a scientific question.

And it illustrates a larger principle:

Measurement and definition aren't the same thing.


Fast Thinking Isn't the Same as Deep Thinking

Another criticism of IQ tests is that they reward speed.

There is some truth to the idea that many cognitive tests place time pressure on performance.

But speed itself can be a legitimate cognitive ability.

Rapid pattern recognition can be extremely useful.

So can slow, deliberate reasoning.

Consider writing a song.

I can sometimes generate rhymes very quickly. Years of practice have made certain rhyme structures, word combinations, multisyllabic patterns, and associations almost automatic.

But generating something quickly doesn't necessarily mean I've finished thinking about it.

Sometimes the first line is perfect.

Sometimes it's garbage.

The important part comes afterward:

Does it actually say something?

Can I examine it?

Can I find the deeper connection?

Can I improve it?

Can I recognize when a clever rhyme is just a clever rhyme?

Fast generation and deep evaluation are different processes.

And that's an important distinction when thinking about intelligence.

A person can become incredibly fast at something through practice.

That doesn't necessarily mean they are “thinking faster” in some universal sense.

And somebody who takes longer to arrive at an answer isn't necessarily thinking more deeply.


Knowledge Is a Double-Edged Sword

There's another paradox I've experienced myself.

If you know a subject extremely well, you can have an enormous advantage in a debate.

You know the history.

You know the terminology.

You know the counterarguments.

You know where the other person's argument is vulnerable.

You can probably make a much stronger case than somebody encountering the subject for the first time.

But winning the argument doesn't prove you're right.

It might simply mean you know more about arguing that position.

And expertise has another strange property.

Sometimes knowing a field extremely well makes you better at solving its problems.

But sometimes someone unfamiliar with the assumptions of the field can look at the problem and ask a question everyone else stopped asking years ago.

That doesn't mean outsiders are smarter than experts.

It means expertise and fresh perspective are different advantages.

A good critic can therefore be extremely valuable.

Someone who challenges your assumptions forces you to determine whether your argument survives outside your own head.

That's true in science.

It's true in mathematics.

It's true in journalism.

And it's certainly true when investigating controversial claims.


Evidence Can Be Right While the Conclusion Is Wrong

This is where another important distinction appears.

Imagine a researcher performs an experiment and finds a genuinely unusual chemical property in a material.

The observation can be real.

The experiment can be real.

The measurements can be real.

And yet the final explanation can still be wrong.

You can correctly establish:

“Something unusual is happening.”

without having established:

“I know exactly why it is happening.”

That's an incredibly important distinction.

A conspiracy hypothesis can contain genuine scientific questions.

It can contain legitimate physical evidence.

It can contain documents that really exist.

It can contain measurements that really happened.

And still arrive at an incorrect conclusion.

The reverse is also possible.

A claim can be dismissed because somebody calls it a “conspiracy theory,” even though individual propositions within it deserve investigation.

The label doesn't settle the question.

Evidence does.

Calling something a conspiracy theory doesn't make it false.

Calling something a scientific theory doesn't make it automatically true.

The same principle applies to IQ.

Calling something an intelligence test doesn't automatically make its score the complete measurement of human intelligence.


What About Street Smarts?

Here's where I think the IQ conversation gets particularly interesting.

Most people have heard the terms:

book smart

and

street smart.

We don't have a single universally recognized number that tells us how much street smarts somebody possesses.

But does that mean the ability doesn't exist?

Consider a simple real-world situation.

Someone can have excellent academic abilities and understand complicated material from a textbook while being surprisingly poor at judging what will actually happen when dealing with a physical situation in the real world.

Someone else might have less academic achievement but years of practical experience dealing with tools, machinery, people, hazards, unpredictable environments, and changing circumstances.

Those are different kinds of knowledge and ability.

That doesn't prove one person is globally smarter than the other.

But it does demonstrate that competence is multidimensional.

And perhaps that's the more interesting question.

When someone successfully handles an unfamiliar real-world problem, what exactly are we watching?

Pattern recognition?

Experience?

Risk assessment?

Improvisation?

Practical knowledge?

Working memory?

Planning?

Judgment?

Adaptability?

Maybe all of them.


What Would Kaku's IQ Test Look Like?

Physicist Michio Kaku has raised a related idea: perhaps an interesting test of intelligence would involve putting people into unfamiliar situations and asking them to generate realistic possible scenarios.

Imagine being stranded somewhere unfamiliar.

Imagine a major system suddenly stops working.

Imagine having limited resources.

What do you do first?

What could go wrong?

What are the realistic possibilities?

What happens three steps after your first decision?

That's a very different kind of cognitive challenge.

And it raises an uncomfortable question:

If intelligence is supposed to tell us how capable someone is, why don't we routinely test people on their ability to handle unfamiliar real-world problems?

Perhaps because those abilities are much harder to standardize.

And that's exactly why standardized tests are attractive.

They give us numbers.


But Standardization Is Both the Strength and the Limitation

A standardized test has enormous advantages.

Everyone receives similar tasks.

Everyone can be compared.

Results can be analyzed statistically.

Researchers can study reliability and prediction.

That's incredibly useful.

But standardization also means deciding beforehand which abilities count and which abilities don't.

The moment we construct a test, we create a particular window through which we look at the human mind.

The window can be scientifically useful.

But it remains a window.


What Happens When We Label Children?

This is where the issue stops being merely philosophical.

Imagine a child being told—or having their parents told—that their IQ is 75.

That number can sound devastating.

Now imagine discovering that the child has dyslexia and was struggling to read the questions.

A parent asks:

“Who read the questions to him?”

Suddenly the interpretation changes.

The point isn't that the child necessarily has a high IQ.

The point is that before interpreting a score, we have to understand what happened during the measurement.

Was the child able to understand the instructions?

Were there language barriers?

Was attention impaired?

Was the person exhausted?

Was there anxiety?

Was there unfamiliarity with the testing environment?

Was the person motivated?

Were there educational disadvantages?

Were there sensory, developmental, or learning factors that affected particular tasks?

Clinical psychologists can take many of these factors into account when interpreting cognitive testing.

But a number printed on a page can easily escape its original context.

And once it does, it can become a label.


The Danger of Turning a Snapshot Into an Identity

Suppose somebody measures your temperature once.

You get 101 degrees.

That tells you something useful.

But it doesn't mean:

“You are a 101-degree person.”

An IQ score is obviously different from temperature, but the analogy demonstrates the danger of confusing a measurement with an identity.

A score describes performance on a particular measurement.

It doesn't automatically tell us:

  • how curious somebody is
  • how creative they are
  • how courageous they are
  • how compassionate they are
  • how persistent they are
  • how practical they are
  • how adaptable they are
  • how much they know
  • how much they are willing to learn
  • how wisely they use what they know
  • or what they might become

Some of those things may be related to cognitive ability.

Some may interact with it.

Some may be largely independent.

But they aren't all contained in a single number.


Education Changes the Question

There's another fascinating piece of evidence here.

Research has found that additional education is associated with improvements in performance on intelligence tests, with evidence suggesting that education itself can have causal effects on measured cognitive ability.

That doesn't mean one extra year of school magically adds a fixed number of IQ points to every person.

It means something much more interesting may be happening:

The environment can change cognitive performance.

Nutrition matters.

Development matters.

Education matters.

Experience matters.

Practice matters.

Sleep matters.

Motivation matters.

Genes matter.

And the brain itself changes with experience.

So if all of these factors interact with cognitive performance, what exactly does an IQ score represent?

Perhaps it represents something like:

How this person performed on this standardized sample of cognitive tasks at this point in their development, under these conditions.

That's a much more modest statement than:

This number tells us how intelligent this person is.

And maybe the modest statement is closer to the scientific truth.


What About Genetics?

Genetics clearly matters to cognitive ability.

But “heritable” doesn't mean “unchangeable.”

Human intelligence is influenced by enormous numbers of genetic factors, each generally contributing very small effects, interacting with environmental circumstances.

That's true of many human traits.

A genetic contribution doesn't mean that environment is irrelevant.

And environmental influence doesn't mean genetics is irrelevant.

The real picture is much more complicated:

genes → development → nutrition → education → experience → practice → environment → brain changes → performance

And eventually:

performance → test score.

Look at that chain.

How many things happened before the number appeared on the page?


Maybe the Real Question Is What Happens After the Test

Suppose two people receive IQ scores of 115 and 135.

What can we legitimately conclude?

We can say the testing data indicate a difference in performance on the measured cognitive abilities.

Depending on the test and circumstances, that difference may have meaningful predictive value.

But can we conclude that the person with 135 will make better decisions?

Will they be happier?

Will they be wealthier?

Will they be more creative?

Will they be kinder?

Will they be better at surviving a crisis?

Will they be better at understanding people?

Will they be wiser?

Will they be more spiritually developed?

Will they be more successful?

Not necessarily.

Some of those outcomes may correlate with cognitive ability.

Some may not.

And that's the entire point.

Correlation is not identity.


Here's an Experiment I'd Like to See

There's another question that interests me.

What happens when you dramatically change the incentive structure around education?

Imagine a voluntary research study.

First, establish baseline cognitive measurements.

Then randomly assign students to different incentive structures.

One group receives the normal educational incentives.

Another group receives substantial, guaranteed financial rewards for academic performance.

The exact amounts aren't the point here.

The point is the manipulation.

Would the relationship between baseline cognitive ability and academic achievement change?

Would students who previously performed below their measured ability suddenly perform dramatically better?

Would high-performing students improve too?

Would everybody improve?

Would grades improve without corresponding improvements on novel cognitive tasks?

That last question would be especially important.

Because there is a huge difference between:

getting better at school

and

becoming better at learning

and

becoming better at solving unfamiliar problems.

If money dramatically improves grades but not performance on novel problems, perhaps we learned something about motivation and academic performance rather than intelligence itself.

That's exactly the kind of experiment worth doing.

Not because we already know the answer.

Because we don't.


So, Are IQ Tests Good or Bad?

Maybe that's the wrong question.

A hammer is good at driving nails.

It is terrible at measuring the temperature of a room.

That doesn't make the hammer a scam.

It means we have to understand what the instrument is designed to do.

IQ tests may be excellent tools for measuring certain cognitive abilities.

They may provide useful information about learning and performance.

They may have meaningful predictive power.

They may help clinicians identify particular cognitive patterns.

All of that can be true.

And it can simultaneously be true that:

an IQ score is not a complete measurement of human intelligence.

Those statements aren't contradictory.


The Bigger Lesson

This is ultimately why I find the IQ debate so interesting.

It's not really about whether a number is “real.”

It's about what we do with the number.

A measurement can be scientifically useful and socially misused.

A statistic can be accurate and still be interpreted incorrectly.

A test can measure something important without measuring everything important.

A person can have enormous knowledge and still be wrong.

A person can lack formal education and still possess extraordinary practical ability.

A person can win a debate without having the truth.

A critic can expose weaknesses in an argument without having the correct alternative explanation.

A scientific theory can be wrong.

A conspiracy theory can be wrong.

A conspiracy theory can also contain a true observation.

And an intelligence test can measure real cognitive ability without being the complete definition of intelligence.

Maybe the question we should have been asking all along isn't:

“How intelligent are you?”

Maybe it is:

“What does this particular measurement tell us about you—and what doesn't it tell us?”

Because there is a profound difference between measuring a person...

and reducing a person to a measurement.

And especially when we're talking about children, that difference matters.

The number should be information.

It should never become a prophecy.

Tuesday, September 29, 2026

The UFO Files Are Pouring Out: Six Government Drops, Hundreds of Records, and Some Serious Egg on the Debunkers' Faces

The UFO Files Are Pouring Out: Six Government Drops, Hundreds of Records, and Some Serious Egg on the Debunkers' Faces

By JM Talboo UnDebunkingUFOs.blogspot.com

Something unusual has been happening in the U.S. government's UFO/UAP record system this year: the files have started coming out.

Since May, the Department of War has been publishing declassified and historical Unidentified Anomalous Phenomena records through a program called PURSUE — the Presidential Unsealing and Reporting System for UAP Encounters. And this isn't one big document dump. It has been a rolling series of releases.

One small correction is worth making at the outset: despite some discussion online about a "seventh batch," the government's numbered PURSUE archive currently shows six official releases, beginning May 8 and continuing through September 18, 2026. The current archive indexes roughly 450 records, with the exact count depending on how duplicate/media records are counted. The government's own PURSUE site confirms the six numbered releases and says additional files are being prepared for rolling publication.

And some of the material is genuinely interesting.

Release One: May 8

The first release was the monster that started the current wave.

It contained well over a hundred records, including documents, military and government imagery, video and audio material from agencies including the Department of War, FBI, NASA and State Department.

The significance wasn't necessarily that it contained one definitive "smoking gun."

It was the sheer breadth of the material.

Government agencies had accumulated UFO reports for decades, and suddenly researchers had a much larger body of primary-source material to examine.

It also established something that would become a recurring theme in the later releases:

The government is willing to publish the existence of a case without necessarily being able to explain the object in the footage.

That distinction is important.

"Unresolved" does not mean "extraterrestrial."

But it also means the government hasn't established an ordinary explanation for that particular case.

Release Two: May 22

Two weeks later came the most video-heavy release of the series.

The second batch contained dozens of records, overwhelmingly video and audio material. The government's archive lists the May 22 release separately and provides the underlying files for researchers to examine.

This batch generated considerable attention because people could actually watch the sensor recordings rather than simply read decades-old UFO reports.

But there was an important catch: not every piece of footage should automatically be treated as independently authenticated proof of extraordinary technology.

That caveat matters.

The government possessing a video is not necessarily the same thing as the government confirming every interpretation that somebody has attached to that video.

In other words:

The files are evidence. The conclusions still have to be investigated.

Release Three: June 12

The June release shifted some of the emphasis back toward historical records.

It included dozens of documents along with video, photographic and audio material from agencies including the CIA, Department of War, FBI and NASA.

Historical material is particularly important because it allows researchers to go back to the original paperwork instead of relying on somebody's 30-, 40- or 70-year-old summary of what supposedly happened.

That is a big deal for UFO research.

A modern skeptic can say, "That's not what happened."

A modern believer can say, "The government covered it up."

But when the original government paperwork is sitting there in public, everybody has to deal with the actual record.

And that's exactly where this subject should have been heading all along.

Release Four: July 10

July brought another substantial collection of documents, videos, images and audio.

The government archive identifies records from agencies including the CIA, Department of Energy, Department of War, FBI and NASA.

Some of the newly published military videos are particularly useful for understanding why UAP analysis is so difficult.

Objects can appear to jump, flicker, disappear or change apparent size when an infrared sensor changes modes, adjusts contrast or changes magnification.

That doesn't make the footage worthless.

Quite the opposite.

It means researchers need to understand what the sensor was actually doing before deciding what the object was doing.

That's one of the most interesting aspects of the disclosure effort: we're getting to see not only alleged UFOs, but also the limitations of the instruments used to observe them.

Release Five: August 7

The fifth release contained another batch of records, including documents and numerous videos and images. The government's archive dates it to August 7.

This one received attention for historical reports involving triangular objects, among other unusual observations.

The larger significance, however, is that the government record increasingly contains reports from military personnel, intelligence personnel, FBI personnel and other officials.

That complicates the old stereotype that UFOs are simply stories originating with people who don't know what they saw.

Of course, government personnel can be mistaken.

Military personnel can misidentify aircraft.

Police officers can misinterpret lights.

Sensors can malfunction.

None of those possibilities disappear just because a government employee made the observation.

But the reverse is also true:

A government employee making an observation doesn't become meaningless simply because somebody can imagine a conventional explanation.

The explanation has to fit the evidence.

Release Six: September 18

Then came the latest—and arguably most historically fascinating—batch.

The sixth release contains 75 records: 59 documents, 15 videos and one audio recording, covering material from 1952 through 2025.

And this batch contains several things UFO researchers have been waiting decades to see.

The Tremonton Film

The government released the Project Blue Book file concerning the famous Tremonton, Utah, UFO film from July 2, 1952, along with associated photographs and personnel records concerning Navy Chief Warrant Officer Delbert Newhouse, who filmed the objects.

The release also contains the historical Air Force flying-disc material surrounding the case.

This is significant because we're no longer arguing about a modern internet copy of an old UFO story.

We're looking at the government's own historical case file.

Whatever conclusion somebody reaches about the film, researchers now have more of the original record with which to make that argument.

Captain Ruppelt

The sixth release also contains a historical recording/transcript involving Captain Edward J. Ruppelt, the former head of Project Blue Book.

Again, the importance isn't that one historical recording magically proves an extraterrestrial hypothesis.

It's that researchers can examine what government investigators were actually saying and doing during the period when the UFO controversy was developing in real time.

That's a hell of a lot better than reconstructing the past from secondhand stories.

The AAWSAP Documents

And then there's the really bizarre part.

The sixth release contains a substantial collection of documents relating to the Advanced Aerospace Weapon System Applications Program, or AAWSAP, a Defense Intelligence Agency program associated with research into advanced aerospace concepts.

The released documents include studies involving subjects such as metamaterials, advanced propulsion, gravity research, antigravity, warp-drive concepts, traversable wormholes, negative energy, quantum-vacuum concepts and other exotic areas of physics.

Let's be extremely clear:

A government-funded study about warp drives is not proof that the government possessed a warp drive.

A document studying wormholes is not proof that somebody built a wormhole.

But the documents establish something that is nevertheless fascinating:

Government-funded intelligence research really did examine subjects that sound like science fiction.

That's not a UFO believer's rumor.

It's in the released paperwork.

And Now We Get To The Debunkers

This is where the current releases become especially interesting for a blog called Undebunking UFOs.

For decades, professional skeptics and debunkers have played an important role in UFO discussions.

One of the most famous was Philip J. Klass, the aerospace journalist and electrical engineer who became one of the best-known skeptical investigators of UFO reports. His career was built in part around finding conventional explanations for cases that UFO researchers considered mysterious.

Today, Mick West occupies a somewhat similar position in the public conversation, although using modern digital analysis, geometry, camera modeling and examination of military UAP videos rather than Klass's mid-20th-century approach.

And here's where the current disclosure creates some genuine egg-on-the-face moments for the professional debunking tradition.

Not because every UFO case has suddenly been proven extraterrestrial.

It hasn't.

And not because Mick West, Philip Klass or any other skeptic was wrong about every individual case.

They weren't.

The point is something more fundamental.

For years, skeptics could attack UFO cases by arguing that the stories were exaggerated, poorly documented, misunderstood, misrepresented or based on material that UFO researchers themselves had obtained and interpreted.

Now the government itself is putting large quantities of the underlying material into public view.

The government is saying, in effect: Here are the records. Here are the videos. Here are the historical case files. Here are the reports. Examine them yourself.

That changes the playing field.

A skeptic can still demonstrate that a particular object was a balloon.

They can demonstrate that an apparent acceleration was caused by camera movement.

They can demonstrate that an apparent shape was produced by optics.

They can identify an aircraft, bird, planet, flare, drone or sensor artifact.

And when they do, that's useful.

But the old argument that UFO researchers are simply making mountains out of nonexistent government records becomes much harder to sustain when the government is literally publishing the records.

That's the important distinction.

Debunking an individual UFO case is not the same thing as debunking the existence of the UFO phenomenon as an unresolved investigative subject.

And that's something UFO researchers and skeptics alike should keep straight.

If Mick West successfully explains one video, that explanation deserves to be considered.

If another video doesn't fit the explanation, that one deserves to remain under investigation.

Likewise, if Philip Klass successfully identified conventional explanations for cases during his lifetime, those explanations remain useful where the evidence supports them.

But a successful explanation for Case A doesn't automatically explain Cases B through Z.

That's where some forms of "debunking" can become overly broad.

The proper scientific response to an unexplained observation isn't:

"We explained some UFOs, therefore UFOs aren't real."

It's:

"We explained this one. Now let's look at the next one."

So What Does All This Actually Mean?

That depends on what question you're asking.

If the question is:

"Has the government released proof that extraterrestrial spacecraft are visiting Earth?"

No. These releases do not establish that.

If the question is:

"Has the government released a large amount of previously unavailable UFO/UAP material, including military sensor recordings, intelligence reports, FBI records, historical Project Blue Book material and documentation concerning government-funded advanced aerospace research?"

Absolutely.

And that's the part that shouldn't get lost in the sensationalism.

The six PURSUE releases have expanded the publicly available government record from 1940s and 1950s-era investigations to military encounters and law-enforcement reports from the modern era.

Some cases may eventually receive ordinary explanations.

Some footage clearly demonstrates the limitations of cameras and infrared sensors.

Some reports are too poorly documented to draw strong conclusions.

And some remain genuinely unresolved.

That last category is where the scientific and historical questions begin—not where they end.

The reaction has predictably been mixed.

UFO researchers have focused on the cases that appear most unusual.

Skeptics have emphasized sensor limitations, conventional explanations and the danger of interpreting ambiguous imagery as extraordinary technology.

Both approaches have a legitimate place.

But there is another approach that has been badly needed for a very long time:

Look at the evidence first.

Not "believe."

Not "debunk."

Investigate.

That's what makes this new wave of releases potentially more important than any single spectacular video.

For decades, arguments about UFOs were often based on fragments: a leaked document here, an old witness account there, a famous piece of footage and somebody claiming that the government knew more than it admitted.

Now researchers have hundreds of government records to compare.

And that means the conversation can finally move beyond:

"Do you believe in UFOs?"

The better question is:

What does the evidence actually show?

Because now, for the first time in a long time, there's a hell of a lot more evidence to examine.

And that's exactly what Undebunking UFOs intends to do.

Thursday, September 17, 2026

If you read this and don't donate a dollar to me you're an asshole...

This is written in third person for the benefit of any media who would like to quote it or for podcast hosts who might like to read portions of it when interviewing me. I can be reached at: jmtalboo@gmail.com You can support me via donations of any amount, even if that means just buying me a coffee. 

JM Talboo is a former editor for The Sovereign Independent newspaper, but left due to what he felt was disinformation not being properly vetted. That said, even SNOPES has been forced to do damage control because the publication eerily predicted that Bill Gates would be a major player in a vaccine push that would involve vaccine mandates. 

This speaks to a point that Talboo often makes, which is that there is an intellectual case for a conspiracist worldview based upon historical facts and admitted false flags and criminal conspiracies. In other words, that conspiracy is the MO of many of those in positions of power, the norm rather than an aberration. After all, it is well established that psychopaths and sociopaths gravitate towards positions of power...


How to stop psychopaths and narcissists from winning positions of power

Dirty Tricks, Traffic Studies, And Why Sociopaths Flourish In Politics

In 2008 Talboo interviewed Presidential Candidate Orion Karl Daley and in both the interview and personal conversations discussed the 9/11 truther movement. Daley featured Talboo in a book he authored about his presidential platform that is cataloged in the Library of Congress.

Talboo is the creator and administrator of the website Debunking the Debunkers located at 911debunkers.blogspot.com where he and various contributors from a handful of countries have debunked the so-called “debunkers” of the 9/11 truth movement since 2008. Since that time, the site has amassed unique hits to the tune of what will be, before too long, many millions of clicks and is going forward with new posts for the foreseeable future.

Issues directly related to 9/11 is still a mainstay, but ancillary issues in recent years receive more coverage as well. This includes topics such as conspiracism in general, as well as exposing Government and Big Tech corruption, coverups, and censorship, to name a few.

The logical fallacies of the self proclaimed skeptical community, the site contends is the more aptly dubbed pseudo-skeptic community, as it pertains to any controversial matter has been and increasingly continues to be a point of focus. 


The blog's central message has also been featured in pieces penned by site contributors for outlets including, a handful of articles written for AE911Truth, ScientificMethod911,  911truth.org, ANETA911.wordpress.com CitizenFor911Truth.wordpress.com, and others including the now defunct 911Grasssroots.org and an article picked up by Infowars.com. The 911Debunkers blog is also featured on 911research.wtc7.net, DebunkingSkeptics.com, and Actors and Artists for 9/11 Truth, among others. 


JM Talboo has been a 9/11 activist since since 2004 and his informational flyering efforts, message, blog, and 911truth.org affiliation was featured in The CourierTimes.com Newspaper site and hard copy edition. He was also quoted in an plymouthherald.co.uk regarding demolition squib evidence in the Twin Towers and his ae911truth.org affiliation was mentioned.

The aforementioned 911truth organization website and wider truth movement was ineffectively made light of on, and featured prominently on a South Park character's t-shirt. Talboo was a
 911Truth.org Steering Committee Member as well as a grassroots organizer previously also listed on that site for the state of Indiana before going defunct. He was also a member of the Architects & Engineers for 9/11 Truth AE911Truth.org video team and authored a handful of articles for the organization, and was a founding member of the now, again defunct, central Indiana chapter of the activist organization We Are Change. Finally, Talboo is featured in the book 20 Years On Collected Essays on Why a New 9/11 Investigation is Still Needed.

Talboo maintains, as some have stated a "prolific" amount of other websites, covering a wide variety of topics including some that focus on all things medical, political, paranormal, cultural, societal, as well as pop culture, the rigged NFL, and... Cats... to name a few. 

JM is a DIY musician, but is also featured in several record label compilations. Having previously worked in several capacities as a medical professional, he's more proud to be formally educated in all things Woo-Woo, having earned a diploma in paranormal studies from Flamel College. 

He's an accomplished investigator featured in a published hard copy paranormal encyclopedia and was the co-founder of the paranormal investigation team, PROOF Paranormal. P-Positive R-Reality O-Or O-Only F-Figment. The now defunct organization conducted over 100 investigations, hosted tours at the famously ghost infested location known as the Hannah House where it is rumored to have been a stop on the underground railroad, which was a secret group of safe houses which bravely helped enslaved people escape. It is said that slaves died in the Hannah House basement. The house features a secret trick bookshelf that can be turned around revealing a staircase leading to the basement. PROOF Paranormal experienced and documented many supernatural happenings at the Mansion including a self-illuminated orb and many Class-A interactive EVPs, in layman's terms... ghost voices on digital recorders.

Lastly, is the podcast host of the TruthTellersRadio.blogspot.com show. All of his material can be directly or indirectly accessed via the profile links found on posts at any of his sites including his catch all site MindTreasury.blogspot.com

He has faced unfathomable amount of censorship. A few examples are having two TikTok music channels taken down, each with around 6,000 subscribers. My newest music channel that recently got a video  Seven YouTube channels, including one that was monetized and doing well. 

And This...

911debunkers.blogspot.com Censored Via Court Order For Defending Free Speech And Talking About Sandy Hook


I can be reached at: jmtalboo@gmail.com You can support me via donations of any amount, even if that means just buying me a coffee. 


Contact: integrityelection@journalist.com
Make a small one time donation to support my endeavors HERE.

My Blogs:

https://www.blogger.com/profile/14205755665047779055

Who I am According to Other People:

http://911debunkers.blogspot.com/2009/08/who-i-am-according-to-other-people.html

JM Talboo Paranormal Investigator Bio:

http://debunkingdeath.blogspot.com.br/2016/06/jm-talboo-paranormal-investigator-bio.html

DebunkingDeath.BlogSpot.com Paranormal Team:

http://debunkingdeath.blogspot.com/2019/10/debunkingdeathblogspotcom-paranormal_29.html


My Bitchute:

https://www.bitchute.com/channel/2GHFvL3bmok7/

My Street Activism:

http://911truthactivism.blogspot.com/2014/07/our-street-activism.html

My Print Interviews:

Interview with Bigfoot Times Newsletter Creator Daniel Perez:

http://undebunkingbigfoot.blogspot.com/2008/04/interview-with-bigfoot-times-newsletter.html

Interview with the Staff of GateCreepers.com:

http://911debunkers.blogspot.com/2009/03/interview-with-staff-of-gatecreeperscom.html

Interview with 2008 Presidential Candidate Orion Karl Daley:

http://911debunkers.blogspot.com/2008/08/interview-with-2008-presidential.html

Interview with Yvonne White, a Host of the Popular Group "9/11 Conspiracy" on Care2.com:

http://911debunkers.blogspot.com/2008/08/interview-with-yvonne-white-host-of.html

Interview With Political Activist/Commentator the Tin Foil Hat Lady:

http://911debunkers.blogspot.com/2008/09/interview-with-political.html

My Former Hardcore/Punk Band ILLITHED:

http://mindtreasury.blogspot.com/2018/02/hardcorepunk-band-illithed.html

My conscious hip-hop projects can be found at the NeoWinstonSmith Hip-Hop blog, located at: NeoWinstonSmith.blogspot.com

Other such material also appears on the TruthTellersRadio podcast from time to time, located at: TruthTellersRadio.blogspot.com, as well as projects produced for my Bitchute channel:  https://www.bitchute.com/channel/2GHFvL3bmok7/


Monday, September 14, 2026

When ‘Crazy’ Conspiracy Theorists Turned Out to Be Right

Watch "When ‘Crazy’ Conspiracy Theorists Turned Out to Be Right" on YouTube
https://youtu.be/5mB8rhLL-8w?is=y8Tn9_l9b_rD9xsV 


The Soundtrack of Revolution: Q50, Tupac, Drill Rap and Following the Breadcrumbs

The Soundtrack of Revolution: Q50, Tupac, Drill Rap and Following the Breadcrumbs

Q50, Tupac and the Question I Asked

By JM Talboo DebunkerBusters.blogspot.com

If you don't know who BloodHound Q50 was, here's the short version.

Q50, whose reported real name was Mikquale Cooper, was a 22-year-old Chicago drill rapper associated with the Bloodhound camp and the wider Chicago drill scene. He was also closely connected to the late Bloodhound Lil Jeff, who was killed in 2024.

On September 13, 2026, Q50 was shot and killed in Chicago's Fuller Park neighborhood.

According to police information reported by multiple outlets, Q50 was sitting inside a vehicle when two vehicles approached and multiple people opened fire. He was struck in the chest and shoulder and pronounced dead at the scene. Police have not announced an arrest or established a motive publicly.

And here's where this gets weird.

September 13 is also the date Tupac Shakur died in 1996.

Thirty years apart.

By itself?

That's a coincidence.

Nothing more.

But there was another piece that caught my attention.

Q50 had recently discussed Tupac in an interview with Vlad.

And Vlad—not Q50—was the one who brought up Tupac's repeated references to death.

That does not mean Q50 predicted his own death.

It does not mean he knew he was going to die.

It does not mean somebody told him he was going to die.

It does not mean an intelligence agency had anything whatsoever to do with his death.

But considering what happened afterward, the timing is undeniably eerie.

Then there's another detail.

Q50 had previously posted lyrics from Tupac's “Last MFer Breathin'”:

“Woke up with 50 enemies plottin' my death / All 50 seeing visions of me shot in the chest”

Then Q50 was shot and killed.

Again, that doesn't prove foreknowledge.

It doesn't prove a conspiracy.

It doesn't prove an intelligence operation.

It doesn't even prove that the lyric had anything whatsoever to do with what eventually happened.

But it's a breadcrumb.

And I made a comment about it.

The question I raised was essentially this:

Does the intelligence apparatus ever provide information about people's locations when somebody wants them gone?

I also made it clear that I could simply be tripping.

Maybe these are just bizarre coincidences.

That's entirely possible.

And that's actually why I'm writing this.

Because I've been down this particular rabbit hole before.

And when something like this happens, I don't think the correct response is automatically:

“CONSPIRACY! CASE CLOSED!”

But I also don't think the correct response is automatically:

“Nothing to see here. Don't ask questions.”

There is a middle ground.

Investigate.

Follow the breadcrumbs.

And distinguish what we know from what we merely suspect.


Who Q50 Was Matters

Q50 wasn't some random celebrity whose name appeared out of nowhere yesterday.

He came out of the Chicago drill ecosystem, a musical environment that has become internationally influential while also being closely associated with real-world violence, rivalries, death and incarceration.

Q50 was part of a generation of artists whose music frequently blurred the line between describing street violence, celebrating it, documenting it and potentially participating in it.

His connection to Lil Jeff is particularly relevant.

Lil Jeff was killed in 2024.

Q50 survived an earlier reported shooting incident in St. Louis in 2025.

He continued making music.

He continued building his profile.

And now he is dead at 22.

That's tragic regardless of anybody's theories about drill music, gangs, intelligence agencies or anything else.

A young man is dead.

His family is grieving.

His friends are grieving.

And another chapter has been added to the extraordinarily violent history surrounding Chicago drill.

That alone is worth talking about.

But the timing brought another set of questions back to the surface for me.

And those questions go back much further than Q50.


I've Been Asking Questions About Music and Power for a Long Time

Long before the recent questions surrounding Q50, Lil Durk, Tupac, drill music and intelligence agencies, I wrote and recorded a song called:

“The Soundtrack of Revolution.”

The surviving song:

The Soundtrack of Revolution — surviving song/video

I wrote it because I was interested in what happens when revolutionary music becomes commercialized.

What happens when music that once challenged authority becomes an enormous commercial industry?

What happens when rebellion becomes a product?

What happens when an art form capable of inspiring people to question power becomes something that can be packaged, marketed, monetized and sold?

Those questions haven't gone away.

If anything, there is more material available today to examine.

And recent events involving Q50 have given me another reason to revisit them.


I'm Not Saying the CIA Created Drill

Let's get something out of the way immediately.

I'm not claiming that the CIA created drill rap.

I'm not claiming that Q50 was an intelligence asset.

I'm not claiming that Q50 was killed by an intelligence agency.

I'm not claiming that Tupac was definitely an intelligence asset.

I'm not claiming that Lil Durk was targeted because he made positive music.

And I'm not claiming that every violent rapper is some kind of government pawn.

Those would be enormous claims.

They require enormous evidence.

What I'm asking is considerably more modest:

Can powerful institutions influence culture?

The answer to that question is obviously yes.

We don't have to speculate about whether governments understand the power of culture.

They've told us themselves.


Governments Have Used Music as a Tool of Influence

During the Cold War, the United States used musicians and cultural figures as part of international cultural diplomacy.

Jazz musicians traveled internationally as American cultural representatives.

American popular music became an important cultural export.

Eventually hip-hop became part of the same broader cultural-diplomacy apparatus.

The State Department has openly described music diplomacy as a tool of international engagement and has operated programs involving hip-hop artists.

That doesn't prove the government created hip-hop.

It proves something much simpler:

Government institutions understand that music influences people.

And they deliberately use music because of that influence.


The CIA's Cultural Operations Are Not a Theory

Here's where the historical record gets much more interesting.

The Congress for Cultural Freedom was a major Cold War cultural organization that promoted Western intellectual and artistic culture in opposition to Soviet influence.

And this isn't something I have to prove through a random conspiracy website.

The CIA itself has published a historical account of the operation.

CIA historian Michael Warner describes the Congress for Cultural Freedom as one of the agency's major Cold War covert operations. The organization published journals, sponsored conferences and brought together prominent intellectuals and artists.

CIA records explain that the agency helped establish and fund the organization and that the operation continued for years before its CIA sponsorship became publicly known.

That's important.

Because it establishes a historical fact:

The CIA has secretly used cultural and intellectual organizations as instruments of geopolitical influence.

That does not prove that the CIA controls modern rap.

It does not prove that drill was created by intelligence agencies.

But it destroys the argument that covert cultural influence is inherently impossible or unprecedented.

It's documented history.


And Then There's the CIA's Relationship With Journalists

This is another historical breadcrumb worth preserving.

In the 1970s, congressional investigations examined CIA relationships with journalists and news organizations.

Contemporary reporting based on congressional inquiries stated that approximately 40 people working as journalists around the world had been on the CIA payroll, including individuals connected with major news organizations.

The CIA subsequently adopted a 1976 policy prohibiting paid or contractual relationships with accredited U.S. news correspondents, while continuing to accept voluntarily provided information.

Again, this doesn't mean:

“Every journalist is CIA.”

Obviously not.

It means something narrower and historically important:

There were documented relationships between the CIA and members of the media, and Congress investigated them seriously enough that the CIA changed its policy.

That's a fact.

And facts like that matter when we're trying to understand how information environments can be influenced.


JFK: Where the Rabbit Hole Gets Much Deeper

This is one of the reasons I added the JFK material to this article.

The Kennedy assassination isn't simply an internet conspiracy theory that appeared on social media.

The U.S. government itself eventually declassified enormous quantities of records concerning the assassination.

And those records contain material involving intelligence operations, assassination planning, propaganda, covert action, Cuba and relationships with journalists and other institutions.

One of the most famous examples is Operation Northwoods.

Documents concerning the proposal describe plans considered within the U.S. military establishment involving fabricated or staged incidents that could be blamed on Cuba, including proposals involving attacks in Miami and elsewhere.

The important point isn't:

“Operation Northwoods proves the CIA killed Kennedy.”

It doesn't.

The point is:

Senior U.S. officials really did consider extraordinarily deceptive covert-action scenarios.

That's documented.

And that's precisely why historical documents matter more than blanket assumptions about what governments would or wouldn't do.

The JFK files also contain material concerning CIA plans against Fidel Castro and covert operations surrounding Cuba.

Some of those documents are genuinely disturbing.

But once again, we have to separate categories.

A plan is not the same thing as an executed operation.

A proposed operation is not proof that the proposal was carried out.

And evidence that an agency was capable of considering something does not establish that it did something else.

That's the discipline I want to maintain throughout this article.


The “Second Gunman” Question

Some of the material surrounding the JFK files has been presented in sensational terms as evidence of a second gunman.

That's where I want to be especially careful.

The existence of suspicious documents, intelligence contacts, conflicting testimony or assassination plots against Castro does not automatically prove that there was a second shooter in Dealey Plaza.

Likewise, evidence that people inside the government contemplated covert operations does not automatically prove that the Kennedy assassination itself was a government operation.

But the opposite argument is also too simplistic.

You cannot reasonably argue:

“The government would never consider something like that.”

We know that government officials considered things that sound unbelievable today.

The documents demonstrate that.

So the proper response isn't blind belief.

It's investigation.


The JFK Material I Was Already Collecting

I've spent years collecting and writing about these questions.

Some of my older JFK material includes:

“More JFK Files Revelations: CIA Employed 40 Journalists, KGB In Possession of Data Indicating LBJ Killed JFK — LBJ Admin Official: ‘We Can Convince the Public Oswald is the Real Assassin’ — FBI Informant: J.D. Tippit was the REAL Assassin.”

That title contains multiple claims.

Some are allegations.

Some concern statements attributed to historical figures.

Some involve interpretations of intelligence records.

The important thing is to go back to the underlying documentation rather than treating the headline as established fact.

More JFK Files Revelations — 911Debunkers

I also wrote:

It Is NOT a Mystery in a Conspiracy Scenario as to Who Killed JFK, We Know Exactly Who Did It

And:

Truth Teller's Radio Episode 10 — JFK Document Dump

And I wrote a response to the documentary JFK: The Smoking Gun:

Debunking “JFK: The Smoking Gun” — A Response to Questions About the Film

I also wrote:

Proof of JFK Assassination Plot Without Debating a Magic Bullet

Again, the point isn't that every conclusion in those pieces should automatically be accepted.

The point is that these are questions I've been investigating for a long time.


Why JFK Matters to the Q50 Question

You might be wondering:

What the hell does JFK have to do with a Chicago drill rapper?

At first glance, nothing.

But that's not actually the connection I'm making.

I'm not saying Q50's death is somehow the modern equivalent of JFK.

I'm not saying the CIA killed JFK and then moved on to killing rappers.

That's not an argument.

The connection is institutional history.

If we want to understand whether powerful institutions can influence culture, manipulate information, conduct covert operations or conceal relationships, we have to examine historical cases where those things are documented.

JFK gives us one set of records.

The Cold War cultural operations give us another.

The journalist relationships give us another.

And 9/11 provides another enormous body of material.


9/11 and Curt Weldon's Questions

This is where former Congressman Curt Weldon enters the story.

Weldon became one of the most outspoken congressional critics of how the government handled information concerning the September 11 attacks.

His central issue was Able Danger, a Defense Department intelligence program.

Weldon argued that Able Danger had identified Mohamed Atta and other future hijackers before 9/11 and that information was prevented from reaching the FBI or other investigators.

Weldon also argued that the 9/11 Commission failed to adequately investigate the matter.

Those are serious claims.

And they're not something I want to present as established fact without qualification.

Weldon himself has repeatedly made those allegations and has published his account of the controversy.

But the story also has an important counterpoint.

The 9/11 Commission staff members involved disputed the claim that Atta had been identified in the way Weldon and others described.

The Pentagon investigated and reported that it found no documentary evidence supporting the allegation that Able Danger had identified Mohamed Atta as an al-Qaeda operative before the attacks.

So here's the responsible way to present it:

Weldon made the allegation. Other witnesses supported parts of his account. The 9/11 Commission and Pentagon disputed the central claim, and documentary confirmation has remained contested.

That's much more interesting than pretending the controversy doesn't exist.

And it brings us to the second source I wanted to add.

In September 2026, Weldon is again publicly discussing these issues, including his book Able Danger: What the 9/11 Commission Never Told You.

His recent interview with Jimmy Dore revisits his allegations concerning Able Danger, intelligence warnings, the 9/11 Commission and the destruction or disappearance of intelligence data.

Jimmy Dore — “U.S. Officials ‘Planned 9/11 & Terrorists Were on CIA Payroll!’ — Ex-Congressman Curt Weldon”

The title makes claims much stronger than the underlying evidence establishes.

So I would not use the title as proof that U.S. officials planned 9/11.

But I would absolutely use the interview as evidence that a former member of Congress continues to make these allegations and that the Able Danger controversy remains part of the historical debate.

Those are different things.


And Then Something Important Happened in 2026

There's another reason the 9/11 material is especially relevant right now.

As the 25th anniversary approaches, newly declassified CIA documents are providing additional information about what U.S. intelligence knew about Osama bin Laden and al-Qaeda before the attacks.

Recent reporting on the documents says they include warnings dating back years before September 2001, including warnings about possible attacks inside the United States and even scenarios involving aircraft.

That doesn't prove that American officials planned the attacks.

It demonstrates something different:

American intelligence agencies had substantial warning information about the threat posed by al-Qaeda, yet the government failed to prevent the attacks.

That's a major historical fact.

And it creates legitimate questions about intelligence failures, interagency communication, institutional responsibility and what decision-makers knew.

Those questions should not automatically be converted into a conclusion that the government orchestrated 9/11.

But neither should they be dismissed simply because some people have proposed more radical explanations.


The Difference Between “Knew” and “Caused”

This distinction is crucial.

An agency can know something without causing it.

An agency can have information without understanding its significance.

An agency can fail to act.

An agency can mishandle information.

An agency can protect sources.

An agency can conceal embarrassing mistakes.

An agency can deliberately conduct an operation.

Those are completely different propositions.

So when I ask whether an intelligence agency could theoretically know where someone was, I'm not saying:

“Therefore the agency killed Q50.”

That's a giant leap.

I'm saying:

Intelligence agencies collect information.

That's their job.

The historical question is how that information is acquired, shared, withheld and sometimes used.


The CIA-and-Drill Theory

This is where people start making much stronger claims.

Comedian Kurt Metzger has publicly discussed a theory that the CIA helped create or influence drill rap.

His appearance on The Danny Brown Show was titled:

“Did The CIA Invent Drill Rap? w/ Kurt Metzger.”

The Danny Brown Show — “Did The CIA Invent Drill Rap? w/ Kurt Metzger”

I'm not presenting Metzger's theory as established fact.

I'm including it because it represents one explicit version of the hypothesis.

The theory goes much further than saying the music industry has economic incentives.

It suggests intelligence interests could potentially cultivate or steer musical trends because of their effects on young people and communities.

That's a serious allegation.

And serious allegations require serious evidence.

But there is another reason I find the theory interesting.

People sometimes hear something like this and immediately translate it into:

“So you're saying every drill rapper is a CIA agent?”

No.

That's not what would have to be true.

If an influence operation existed, the people participating in it wouldn't necessarily have to know about it.

Some could know everything.

Some could know a little.

Some could simply be pursuing money.

Some could be pursuing fame.

Some could be pursuing revenge.

Some could be criminals.

Some could be victims.

Some could be useful to somebody else's agenda without ever knowing it.

And some could simply be artists making music.

That's a hypothetical model, not proof that such a model explains drill music.


Three Different Claims

This distinction is extremely important.

Claim One:

Governments use music for diplomacy and influence.

Documented.

Claim Two:

Intelligence agencies have historically conducted covert cultural influence operations.

Documented.

Claim Three:

The CIA secretly created or controls modern American drill rap.

Not established by the evidence presented here.

Those are three completely different statements.

The first two make the third worth investigating.

They do not prove it.


Ice Cube Asked a Related Question

Ice Cube has publicly questioned relationships between the music business and the prison industry.

In an interview with Bill Maher, Cube discussed what he considered suspicious relationships involving people connected to entertainment and investments associated with prisons.

Whether every specific relationship implied by that discussion is accurate is a separate question.

But the larger economic question is legitimate:

Can different industries have overlapping financial interests in the same social conditions?

Of course they can.

That doesn't prove coordination.

It doesn't prove that anybody deliberately created violent rap to fill prisons.

But it demonstrates another important principle:

Different systems can benefit from the same outcome without necessarily coordinating with one another.

And that idea becomes important later.


The Gangster-Rap Question

There are longstanding claims that conscious and politically outspoken hip-hop was gradually redirected toward more commercially profitable gangster and street-oriented themes.

One account associated with Minister Louis Farrakhan and KAM has argued that conscious rap was deliberately redirected toward gangster imagery and themes that could contribute to destructive behavior and ultimately benefit institutions such as the prison industry.

I'm not presenting that as established history.

It's an allegation and an interpretation.

But there is a much less controversial question underneath it:

Can commercial incentives change culture?

Absolutely.

If one kind of music sells better, receives more radio play, generates more attention and attracts more money, the industry has an incentive to promote it.

That doesn't require the CIA.

It doesn't require a secret society.

It doesn't require everybody to be working together.

It can simply be capitalism.

The more controversial question is whether powerful institutions have sometimes recognized existing cultural trends and deliberately used them.


Tupac Is Where This Gets Personal for Me

I've been investigating Tupac for years.

I even made my own documentary:

“Tupac Is Alive: The Documentary — Best of the Best Evidence.”

Tupac Is Alive: The Documentary — Best of the Best Evidence

I never presented it as absolute proof that Tupac survived.

I presented what I considered the strongest evidence I had at the time and asked people to examine it.

That's still how I approach this subject.

And that's why the Q50/Tupac connection caught my attention.

Tupac died on September 13, 1996.

Q50 died on September 13, 2026.

Exactly thirty years apart.

Again, that doesn't prove anything.

But then we have Q50 discussing Tupac shortly before his death.

We have Q50 posting Tupac lyrics about enemies plotting his death and visions of being shot.

And then Q50 is actually shot and killed.

That's weird.

Maybe it's nothing.

Maybe it's an algorithmic coincidence.

Maybe Q50 simply liked the song.

Maybe the date means nothing.

Maybe we're seeing patterns because human beings are extremely good at finding patterns.

All of those possibilities remain open.

That's exactly why I don't want to tell you what to believe.

I want to show you the breadcrumbs.


Could Someone Know Without Causing It?

This is another distinction people frequently miss.

Suppose someone somehow knew that a person was going to be attacked.

That is different from:

  • predicting the attack;
  • knowing about a plan;
  • providing information;
  • facilitating the plan;
  • financing the plan;
  • ordering the attack;
  • participating in the attack;
  • or personally carrying it out.

Those are completely different propositions.

The same principle applies to intelligence agencies.

An agency knowing something happened doesn't automatically mean it caused it.

An agency possessing information doesn't prove it ordered an event.

An individual government employee knowing something doesn't mean the entire government knew it.

Large institutions are messy.

They contain competing interests, rival agencies, bureaucracies, personal agendas, internal disagreements and people who may know only one tiny piece of a larger situation.

That's why I don't buy the simplistic version where “everyone is in on it.”

Reality is usually more complicated.


The Black Panther Connection

This is where historical context matters.

The Black Panther Party was subjected to extensive government surveillance and infiltration during the COINTELPRO era.

That history is documented.

It doesn't prove Tupac was an intelligence operative.

It doesn't prove that his music was created as an operation.

It establishes something narrower:

American intelligence and law-enforcement agencies have historically considered political and cultural movements important enough to monitor and infiltrate.

I've personally interviewed Larry Pinkney, an original Black Panther member, in an interview covering the Panthers, racism, censorship, mainstream media, UFOs and related subjects.

“JM Talboo & Larry Pinkney Talk Black Panthers, Racism, Trump, Censorship, MSM, UFOS, And More...”

JM Talboo & Larry Pinkney interview

Again, I'm not presenting that interview as evidence that Tupac was part of an intelligence operation.

I'm explaining why these intersections have interested me for a long time.


The Body-Double Theory

There's another documentary that takes the Tupac question considerably further:

“2PAC — Body Double - Chapter 17 - DOCUMENTARY (censored)”

2PAC — Body Double — Chapter 17

Some of the material in that documentary is highly speculative.

Some claims should be treated extremely cautiously.

I don't accept all of the ideological material surrounding it.

But underneath all of that is a legitimate broader question:

Can powerful institutions cultivate, manipulate, promote or exploit popular cultural figures?

History tells us that cultural influence operations have existed.

That doesn't prove the documentary's specific claims about Tupac.

It simply means the broader question is not inherently impossible.


Lil Durk and the Other Side of the Equation

Lil Durk is another interesting piece of this puzzle.

Durk won a Grammy with J. Cole for “All My Life” in 2024.

That song represented a very different side of his public musical identity from the violent street persona that became central to much of the discussion surrounding him.

Then came the federal murder-for-hire prosecution.

On September 11, 2026, a federal jury acquitted Durk of the murder-for-hire charges. Reuters reported that he remained in custody while facing a separate federal racketeering and weapons case.

That acquittal doesn't mean the government had no evidence.

It means the jury did not find that the prosecution had proved the charged offenses beyond a reasonable doubt.

That's important.

But the broader question I'm interested in is this:

What happens when an artist's public identity exists somewhere between socially destructive street imagery and positive or socially conscious material?

Does controversy sell?

Does violent imagery attract attention?

Does the industry reward certain personas?

Are artists sometimes encouraged toward identities because those identities are commercially profitable?

Those questions don't require a CIA conspiracy.

But if we're investigating institutional influence, they are relevant.


You Don't Have to Create Something to Exploit It

This may actually be the most important point in the entire article.

Suppose violent drill music developed completely organically.

Suppose there was never a government program behind it.

Suppose there was never an intelligence officer who thought:

“Let's invent drill.”

That still wouldn't mean powerful institutions couldn't eventually recognize the phenomenon and figure out how to use it.

You don't have to create something to exploit it.

You don't even necessarily have to coordinate it.

If something already exists, powerful people can learn how to benefit from it.

That's true of markets.

That's true of politics.

That's true of media.

That's true of culture.

And that's true of information.


ZunZuneo Shows That Information Environments Can Matter

Then we have ZunZuneo.

This isn't a theory about a secret rap operation.

It's a documented USAID program involving Cuba.

A USAID Inspector General report examined the program's design, approval and implementation.

The broader controversy involved the use of a communications network and questions about whether such a platform could potentially facilitate political mobilization.

Whatever interpretation somebody ultimately places on ZunZuneo, the historical point is straightforward:

The U.S. government has used communications technology and information networks as instruments in foreign-policy strategies.

That doesn't prove the same thing happened to American rappers.

It establishes something narrower:

Governments understand that information environments matter.


The Information Environment Matters

This is another reason I think people should preserve primary sources.

Search engines change.

Algorithms change.

Platforms disappear.

Videos get removed.

Accounts get deleted.

Websites vanish.

Old articles disappear.

New narratives replace old ones.

Sometimes that's just the normal lifecycle of the internet.

Sometimes moderation is involved.

Sometimes algorithms change.

Sometimes people delete their own material.

And sometimes information really does disappear for reasons we don't understand.

The important thing is not to automatically assume censorship.

The important thing is to preserve what we can and examine original sources whenever possible.


The Q50 Murder Rabbit Hole

There are already internet theories surrounding Q50's death.

One video titled:

“Reddit Just Solved Q50 Murder & Found His Killer.”

Reddit Just Solved Q50 Murder & Found His Killer

collects claims attributed to Reddit users and social-media posts.

Those claims include alleged posts made before the public announcement of Q50's death, references to money, “last MF” language, posts involving Q50 and Lil Jeff, music lyrics interpreted as possible confessions, alleged timestamps, vehicle locations and comparisons involving clothing and physical appearance.

This is precisely where we need to slow down.

A Reddit theory isn't a police report.

A suspicious social-media post isn't automatically a confession.

A timestamp isn't automatically proof of participation.

Similar clothing isn't proof of identity.

Someone deleting an account isn't proof that they committed a murder.

These things can be breadcrumbs.

They can justify looking.

They cannot, by themselves, justify declaring somebody guilty.

I am deliberately not naming alleged killers based on internet speculation.

If the evidence develops, that's a different story.


The “Crates of Guns” Question

There's another rabbit hole I've been researching involving what people describe as “crates of guns.”

I'm not going to pretend I've already established what that material proves.

I have a documentary coming that deals with it.

For now, if you're interested, search YouTube for:

“crates of guns”

Look at the material yourself.

Decide what you think it means.

Again, I'm not telling you:

“Here's the secret proof.”

I'm saying:

Go look.


So What About “They”?

When I use the word “they” in discussions like this, I'm not talking about some magical group of twelve people sitting around a table controlling every event on Earth.

I'm talking about powerful institutions and individuals.

Government agencies.

Intelligence organizations.

Corporations.

Financial interests.

Media organizations.

Political organizations.

Law enforcement.

Entertainment executives.

Investors.

Sometimes their interests align.

Sometimes they fight each other.

Sometimes they have completely different agendas.

Sometimes one faction undermines another.

Sometimes an artist is simply an artist.

Sometimes a criminal is simply a criminal.

Sometimes a coincidence is simply a coincidence.

And sometimes people operating inside a system become useful to a larger process without understanding the process themselves.

That's a much more realistic model of power than one giant omniscient conspiracy.


The Breadcrumbs

So here are the breadcrumbs as I see them.

Governments have deliberately used music as diplomacy.

Jazz became part of American cultural diplomacy.

Rock became a major cultural export.

Hip-hop eventually became part of American cultural diplomacy.

The State Department openly uses hip-hop internationally.

The CIA has a documented history of covert cultural influence during the Cold War.

CIA relationships with journalists were investigated by Congress, and the agency subsequently adopted restrictions concerning paid relationships with U.S. journalists.

JFK-era documents demonstrate that U.S. officials contemplated deceptive covert-action scenarios, including proposals concerning Cuba and fabricated incidents.

The JFK files contain extensive material about intelligence operations surrounding Cuba and the assassination investigation.

Former Congressman Curt Weldon has alleged that the Able Danger program identified Mohamed Atta and other future hijackers before 9/11.

The 9/11 Commission and Pentagon disputed the central Able Danger allegations, and documentary confirmation remains contested.

Newly declassified CIA documents show that U.S. intelligence possessed substantial warnings concerning al-Qaeda before 9/11, although those documents do not establish that U.S. officials planned the attacks.

The music industry has enormous economic incentives that influence what gets promoted.

Artists such as Ice Cube have publicly questioned relationships between entertainment and other industries.

There are longstanding claims that conscious rap was commercially redirected toward gangster imagery.

There are modern theories that intelligence agencies influenced drill.

There are explicit claims that hip-hop was used as an intelligence psy-op.

There are competing theories surrounding Tupac.

Q50 died on the same calendar date as Tupac.

Q50 had recently discussed Tupac.

Q50 had posted Tupac lyrics about enemies plotting his death and visions of being shot.

And Q50 was subsequently shot and killed.

There are internet theories surrounding the circumstances of Q50's death.

And there are continuing questions about how law enforcement, prosecutors, media organizations, labels, corporations and artists interact.

None of those individual breadcrumbs proves the entire theory.

But they do lead to a reasonable question:

How much influence does power actually have over popular culture?


My Old Song Was Asking the Same Question

And this brings me back to “The Soundtrack of Revolution.”

I wrote that song before Q50 existed as part of this conversation.

Before the current drill ecosystem.

Before today's social-media environment.

Before many of the recent developments we're discussing.

The song was asking what happens when revolutionary music gets turned into a commercial product.

It talked about rap being turned into advertising.

The boom bap being hijacked.

Clones being created.

Music that could “spark minds” becoming less attractive to people who prefer compliant entertainment.

It also referenced Jadakiss's famous line about George W. Bush and September 11, and the broader tendency for controversial political statements to become entertainment commodities instead of catalysts for political action.

And then there were these lines:

“Obama dropped bombs. Biden approved. Yet peace was the mask the media used. Different faces, same spine. Left or right, just Pepsi and Coke.”

Whether somebody agrees with those lyrics or not, they show what I was thinking about back then.

Not Republicans versus Democrats.

Not left versus right.

The larger relationship between:

culture, politics, money and power.

That's the thread connecting the old song to the questions I'm asking now.


What Am I Actually Claiming?

Not that the CIA invented drill.

Not that Tupac was definitely an intelligence asset.

Not that Q50 was killed by an intelligence agency.

Not that Lil Durk was targeted because he made positive music.

Not that every violent rapper is a pawn.

Not that every government official knows some secret master plan.

Not that every coincidence is evidence.

And not that every theory on the internet deserves equal credibility.

What I'm saying is much simpler.

Powerful institutions influence culture.

Documented.

Governments deliberately use music as diplomacy and soft power.

Documented.

Intelligence agencies have historically conducted covert cultural influence operations.

Documented.

The CIA had relationships with journalists and subsequently adopted restrictions on certain paid relationships with U.S. news correspondents.

Documented.

The U.S. government contemplated deceptive covert-action scenarios during the Cold War.

Documented.

U.S. intelligence possessed significant warnings about al-Qaeda before 9/11.

Documented.

The Able Danger controversy exists, and former Congressman Curt Weldon continues to argue that important intelligence information was suppressed or mishandled.

Documented as an allegation and continuing controversy—not established as fact.

The music industry has enormous economic incentives that shape what gets promoted.

Observable.

The controversial question is how far those mechanisms extend.

Does cultural influence sometimes become deliberate social engineering?

Can intelligence agencies exploit existing musical movements?

Can governments cultivate artists or scenes in particular circumstances?

Can violent cultural trends become useful to powerful institutions even when those institutions didn't create them?

Can individual artists become unwitting participants in systems they don't understand?

Those are questions.

Not conclusions.


The Biggest Mistake Would Be Assuming There Has to Be One Master Plan

I actually think the “master plan” version is the least interesting possibility.

History is usually much messier.

Different agencies compete.

Corporations compete.

Politicians change.

Administrations change.

Executives chase money.

Artists chase fame.

Criminal organizations pursue their own interests.

Intelligence agencies pursue their own objectives.

People make mistakes.

People betray each other.

People don't know everything.

Sometimes independent events accidentally reinforce each other.

A system can produce a particular outcome without every person inside that system consciously intending that outcome.

That's one of the most important things to understand about power:

Coordination isn't always necessary for alignment.


And That's Where I Leave It

I'm not claiming I solved it.

I'm not claiming I know who is pulling every string.

I'm not claiming every theory is true.

I'm not claiming the most dramatic explanation is necessarily the correct one.

I'm saying there are enough documented examples of governments using culture, enough historical examples of intelligence agencies conducting influence operations, enough evidence of intelligence failures and controversies, enough economic incentives inside the music industry, and enough strange individual cases that I don't think the subject should automatically be dismissed as crazy.

At the same time, skepticism has to work in both directions.

If somebody says:

“The CIA created drill.”

Ask for evidence.

If somebody says:

“The CIA could never possibly influence music.”

Ask for evidence.

If somebody says:

“Tupac definitely survived.”

Ask for evidence.

If somebody says:

“Tupac definitely could not have survived.”

Ask for evidence.

If somebody says:

“Q50's death proves an intelligence operation.”

Ask for evidence.

That's how we separate investigation from belief.

A question can be reasonable without its proposed answer being established.

That's the whole point.

I'm not asking you to believe me.

I'm asking you to look.

Follow the breadcrumbs.

And remember:

Facts speak for themselves.

Facts are not proof of every conclusion somebody attaches to them.

And maybe most importantly:

Don't worship the artist. Become one too.

I'm still making conscious, anti-authoritarian hip-hop in 2026.

If you want to hear what that sounds like, I'm @Crashout.Royalty.

#CrashoutAristocrats #SoundtrackOfRevolution #ConsciousHipHop #MusicAndPower #FollowTheBreadcrumbs


Further Reading / Sources

Q50 / Tupac

Q50 — recent reporting on his death and the Fuller Park shooting
The U.S. Sun — BloodHound Q50 killed at 22

Q50 / VladTV interview
VladTV — Q50 interview

Q50 murder theory / Reddit claims
Reddit Just Solved Q50 Murder & Found His Killer

Tupac — “2PAC—Body Double - Chapter 17 - DOCUMENTARY (censored)”
2PAC — Body Double — Chapter 17

John-Michael Talboo — “Tupac Is Alive: The Documentary — Best of the Best Evidence”
Tupac Is Alive documentary

JFK

JFK Files — alleged second-gunman reporting
Daily Star — JFK files / second gunman article

JFK Files — CIA plots against Castro and Miami bombing proposals
CBS Miami — JFK Files / CIA and Miami bombing proposals

JFK documents — proposed bombing scenarios
Paste Magazine — JFK documents and bombing proposals

More JFK Files Revelations — 911Debunkers
More JFK Files Revelations

It Is NOT a Mystery in a Conspiracy Scenario as to Who Killed JFK
911Debunkers — JFK assassination analysis

Truth Teller's Radio — JFK Document Dump
Truth Teller's Radio — JFK Document Dump

Debunking “JFK: The Smoking Gun”
911Debunkers — JFK Smoking Gun response

Proof of JFK Assassination Plot Without Debating a Magic Bullet
911Debunkers — JFK assassination plot analysis

CIA / Cultural Influence

CIA — Origins of the Congress for Cultural Freedom, 1949–50
CIA historical study

CIA — archived version of the Congress for Cultural Freedom study
CIA archive — Congress for Cultural Freedom

CIA — relationships with journalists / 1976 policy
CIA FOIA — 1976 DCI statement on journalists

CIA journalist relationships — congressional-era reporting
CIA FOIA archive — CIA journalists reporting

U.S. Department of State — Music Diplomacy
U.S. State Department — Music Diplomacy

U.S. Department of State — International Hip-Hop Artists program
U.S. State Department — international hip-hop exchange

Council on Foreign Relations — Hip-Hop Diplomacy
Council on Foreign Relations — Hip-Hop Diplomacy

9/11 / Able Danger / Curt Weldon

Curt Weldon — Press Conference on 9/11 Commission and Able Danger
Curt Weldon — Able Danger press conference

Curt Weldon — Statement on Able Danger
Federation of American Scientists — Weldon statement

Washington Post — Sept. 11 Panel Explores Allegations About Atta
Washington Post — Able Danger / Atta allegations

Washington Post — No Evidence of Atta Claims, Pentagon Says
Washington Post — Pentagon investigation of Able Danger claims

Curt Weldon — Able Danger: What the 9/11 Commission Never Told You
Google Books — Able Danger

Jimmy Dore — Curt Weldon interview
Jimmy Dore Show — Curt Weldon / Able Danger interview

USAID Inspector General — Cuban Civil Society Support Program / ZunZuneo
USAID OIG report

Music, Industry and Drill

Kurt Metzger / The Danny Brown Show — “Did The CIA Invent Drill Rap?”
The Danny Brown Show — Kurt Metzger episode

Ice Cube — music and prison-industry discussion
HotNewHipHop — Ice Cube on music and prisons

Ambrosia For Heads — Ice Cube interview
Ambrosia For Heads — Ice Cube and prisons

VladTV — Ice Cube on label owners and prisons
VladTV — Ice Cube interview

USAID & The Rap Game
USAID & The Rap Game — Part 1

“YOU WILL NEVER BE A MAINSTREAM RAPPER”
YouTube search / source video

Lil Durk

Reuters — Lil Durk acquitted in murder-for-hire trial
Reuters — Lil Durk trial

Associated Press — Lil Durk acquittal
Associated Press — Lil Durk acquitted

GRAMMY.com — 2024 winners and nominees
GRAMMY.com — 2024 winners and nominees

John-Michael Talboo — “Beyond ‘Durk Is Cooked’”
Mind Treasury — Lil Durk trial analysis

Personal / Related Sources

JM Talboo & Larry Pinkney — Black Panthers, racism, censorship, media and UFOs
Bitchute — Larry Pinkney interview

The Soundtrack of Revolution — surviving song/video
The Soundtrack of Revolution

Search term for the upcoming “crates of guns” documentary:
Who Drops Crates of Guns In Chiraq?